Tag Archives: perceptions
The Penguin "gets it"
I’m Rubber, You’re Glue …
by Jonathan Alter
Published Aug 23, 2008
From Newsweek magazine issue dated Sep 1, 2008
It’s hard to predict what will stick. ‘It’s the economy, stupid’ was a hand-scrawled sign hung in Little Rock.
When NEWSWEEK reported earlier this summer that the McCain family owns at least seven houses, few outside the hothouse of politics noticed. Voters assume that all politicians are rich and didn’t seem to care that John McCain’s wife, Cindy, is worth $100 million and owed back taxes on one of the properties. But when Politico asked McCain last week in New Mexico how many residences he and his wife owned and he answered, “I think—I’ll have my staff get [back] to you,” the story suddenly took off, fueled by the impression that McCain is old and out of touch with Americans struggling to pay their mortgages. Will it do his campaign real damage? Depends on the “stickiness.”
The same goes for Barack Obama’s acceptance speech in Denver. The buzz of 70,000 people screaming for him at Invesco Field will wear off if he doesn’t frame his economic message in a way that otherwise inattentive Americans can recall. Without an indelible metaphor, all of his policy speeches are written in invisible ink.
Modern campaigns are about flinging 10 things against the wall every day and hoping something sticks. Everything else, from fund-raising to advertising (paid for by the fund-raising) to speechmaking to Web strategy, is in the service of applying that adhesive, either to cement the candidate’s message or muck up the opponent’s engine with sludge.
That’s because memorable lines, images, gaffes and monikers act like a piece of gum on the bottom of your shoe. They get your attention and may even shape your voting behavior. In the world of marketing, “sticky branding” means intentionally creating an emotional attachment to a consumer product. In the blogosphere, a “meme” (a word coined by the science writer Richard Dawkins in 1976) is an idea that spreads virally, beyond anyone’s control. Political campaigns often try to add gobs of glue (as Obama did on the seven-house story), but why some stories stick and others don’t remains something of a mystery.
Pop-culture references help. Ronald Reagan used a Clint Eastwood line, “Go ahead, make my day,” to great effect. When Walter Mondale wanted to stigmatize Gary Hart for lacking substance in 1984, he quoted from an ad for Wendy’s: “Where’s the beef?” The political spot that made the biggest splash this summer aired only briefly on TV. But the use of Britney Spears and Paris Hilton helped McCain label Obama as just another celebrity. If big names cut through the clutter, so does name-calling. GOP hit men like to refer to “Barack Hussein Obama,” the better to brand him as a foreigner. And Democratic polemicists are already referring to “Exxon John” and “another four years of John McSame.”
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Ogilvy: "speak their language"

“If you’re trying to persuade people into do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think.” – David Ogilvy
Tropic Thunder – comedy is anarchy
…in comedy, context is everything. “Tropic Thunder”… doesn’t risk simply offending; at times the picture is almost appalling in its tastelessness — I watched parts of it agape. But Stiller and his ensemble… understand that comedy is anarchy. As much as we want our lives to be stable and manageable, comedy demands that we relinquish our sense of orderliness, sometimes even our better judgment. Respectful comedy is dull comedy. In the early ’90s, when Robert Mapplethorpe’s sexually explicit photographs were causing a flap about the public funding of art, I recall seeing people wearing buttons decreeing, “Art can’t hurt you.” But if it can’t cut into you, deeply or at all, what good is it?
The Changing Face of the U.S. Consumer

via: Ad Age
NEW YORK (AdAge.com) — The marketing community, already dealing with a slumping economy and an increasingly consumer-controlled media marketplace, must confront another new reality: The face of the American consumer is changing dramatically.
It’s not news that the nation is aging, but the fact that the average U.S. head of household is just six months shy of 50 is a startling statistic.
Also factor in that regional demographics are diverging more than ever before. The young, multicultural West bears little resemblance to the old, largely white Northeast, where many communities are nearly childless. And that’s to say nothing of the rapid and economically vital influx of immigrants.
To examine what these demographic shifts mean for brand marketing, let’s take a look at some of the most prominent trends.
San Francisco to vote on naming sewer after George Bush
Is this art? Is it activistm? Certainly, the power elite are not shaking in their boots over such stunts, but this just viscerally seems right.
via: the Independet
By Guy Adams in Los Angeles
Friday, 27 June 2008
San Francisco Public Utilities Commission
The plant that could be renamed the George W Bush Sewage Plant
Some presidents get carved into Mt Rushmore; others have airports, motorways, and even entire cities named in their honour. But when George Bush leaves office, his most visible memorial may be a mouldering patch of human effluent.
In November, alongside casting their ballot for the next president, the people of San Francisco will also vote on a measure to rename one of the city’s largest sewage works the George W Bush Sewage Plant, to provide a “fitting monument” to the outgoing commander-in-chief’s achievements.
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Game Culture
Play is one of the earliest and most important activities of mammals; helping adolescents learn the skills they need to survive. Games take the free play of the animal kingdom and apply rules and constraints, which have the ability to teach and develop the values and beliefs of a culture. The chess queen developed as a dominant piece during a period of strong European matriarchs. Monopoly is an altered version of The Landlord Game–a model of the Marxist critique of property. Today, some videogame designers are creating tools for critical play.
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Gran Fury talks to Douglas Crimp
Gran Fury talks to Douglas Crimp – Interview
ArtForum, April, 2003
DOUGLAS CRIMP: One of your members, Mark Simpson, is no longer with us. Perhaps we can officially dedicate our remarks here to his memory. When did Mark die?
TOM KALIN: Mark died of AIDS on November 10, 1996.
DC: Okay, let’s begin with a work that seems appropriately sad. Ten years ago a few of you in Gran Fury made a poster with four questions, the last of which was, “When was the last time you cried?” Was that the final work done under the auspices of the group?
LORING McALP1N: Well, after that we did the flyer Good Luck… Miss You for “Temporarily Possessed” at the New Museum. That was meant as our farewell.
DC: That was 1995. You did the four questions in 93. Do you remember the other three questions?
AVRAM FINKELSTEIN: “Do you resent people with AIDS? Do you trust HIV-negatives? Have you given up hope for a cure?” The conversation leading to that work was largely driven by Mark Simpson. We were grappling with a problem we had at that later stage– trying to put very complex things into a very concise text. This work was a response to our frustration at being unable to articulate the complexity of the issues. We decided to just go bare bones and say how we felt, which had never been our primary focus.
TK: I remember that Mark always had a yellow legal pad in his house on which he wrote all sorts of things. And those questions were among the things he wrote. They were about feeling alienated as someone living with AIDS and about feeling less well physically. That, and the fact that the visibility of the crisis and the AIDS activist demonstrations had faded away.
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Home Invasion as Art
For the past four years, Critical Art Ensemble’s Steve Kurtz has been a martyr in the world of activist art, the victim of overzealous FBI investigatory impropriety. The case against him was utterly absurd, Kafka-esque even. Thankfully,though, the judge saw reason this month and his case was finally dismissed. Now, he has an exhibit entitled Seized that displays what FBI agents confiscated from his home, and what they left behind. From the piles of debris Kurtz came home to, it seems the agents spent as much time snacking as they did searching. I think what ‘s interesting about this exhibit is that it humanizes the police state. We (I) tend to think of the government as a great monolith, stomping down on the People. Law Enforcement agencies always feel like giant killer robots breathing Guantanamo fire and plucking hapless citizens from their homes. But really, these institutions are made up of Gatorade swilling, pizza eating former frat boys and sorority girls. That’s comforting. That gives me hope.
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How George Carlin Changed Comedy
via: Time
When the culture began to change in the late 1960s — when the old one-liner comics on the Ed Sullivan Show were looking pretty tired and irrelevant to a younger generation experimenting with drugs and protesting the War in Vietnam — George Carlin was the most important stand-up comedian in America. By the time he died Sunday night (of heart failure at age 71), the transformation he helped bring about in stand-up had become so ingrained that it’s hard to think of Carlin as one of America’s most radical and courageous popular artists. But he was.


