Tag Archives: art

Futurism

from Apollonio, Umbro ed. Documents of 20th Century Art: Futurist Manifestos. Brain, Robert; RW Flint, JC Higgitt, and Caroline Tisdall, trans. New York: Viking Press, 1973. 19-24

The Founding Manifesto of Futurism – F.T. Marinetti

“‘Let’s go!’ I said, ‘Friends, away! Let’s go! Mythology and the Mystic Ideal are defeated at last. We’re about to see the Centaur’s birth and, soon after, the first flight of Angels! … We must shake at the gates of life, test the bolts and hinges. Lets go! Look there, on the earth, the very first dawn! There’s nothing to match the splendor of the sun’s red sword, slashing for the first time through our millennial gloom!”

“We intend to sing the love of danger, the habit of energy and fearlessness”

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Michael Israel inspires change!

(check 1:30 in)

See, what happens is, you see this, and then you go home and you decide you’re going to do that thing that you’ve always wanted to. There is a direct line from him painting to you acting, he tells me.

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Art Hoax Unites Europe in Displeasure

This is a beautiful example of how activist-pranksters can exploit bureaucracy’s Achilles heel. The artist commissioned for this work, David Cerny “is notorious for thumbing his nose at the establishment,” says the article. I mean, just look at his website. The man once painted a tank, part of a a soviet war memorial in the center of Prague, hot pink. And yet, he was chosen to produce a dignified sculpture for the European Council building. This is like Steven Colbert getting invited to speak at the White House Press Corp Dinner. Who authorized this? Who overlooked these details? Everybody and nobody. Ah, and therein lies the game.

via: NYT

By SARAH LYALL

LONDON — Why didn’t anyone realize right away that there was something seriously weird about the new piece of art in Brussels?

The piece, an enormous mosaic installed in the European Council building over the weekend, was meant to symbolize the glory of a unified Europe by reflecting something special about each country in the European Union.

But wait. Here is Bulgaria, represented as a series of crude, hole-in-the-floor toilets. Here is the Netherlands, subsumed by floods, with only a few minarets peeping out from the water. Luxembourg is depicted as a tiny lump of gold marked by a “for sale” sign, while five Lithuanian soldiers are apparently urinating on Russia.

France? On strike.

The 172-square-foot, eight-ton installation, titled “Entropa,” consists of a sort of puzzle formed by the geographical shapes of European countries. It was proudly commissioned by the Czech Republic to mark the start of its six-month presidency of the European Union. But the Czechs made the mistake of hiring the artist David Cerny to put together the project.

Mr. Cerny is notorious for thumbing his nose at the establishment. He was arrested in 1991 for painting a tank, a Soviet war memorial in a Prague square, bright pink.
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Jacques Ranciere on political art

[A]n aesthetic politics always defines itself by a certain recasting of the distribution of the sensible, a reconfiguration of the given perceptual forms….The dream of a suitable political work of art is in fact the dream of disrupting the relationship between the visible, the sayable, and the thinkable without having to use the terms of a message as a vehicle. It is the dream of an art that would transmit meanings in the form of a rupture with the very logic of meaningful situations. As a matter of fact, political art cannot work in the simple form of a meaningful spectacle that would lead to an “awareness” of the state of the world. Suitable political art would ensure, at one and the same time, the production of a double effect: the readability of a political signification and a sensible or perceptual shock caused, conversely, by the uncanny, by that which resists signification.

From The Politics of Aesthetics, Gabriel Rockhill, trans., London: Continuum, 2004, p.63

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Andy Goldsworthy

goldsworthy2_fs

Words do their jobs but what I’m doing here says a lot more.

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Candy Raver Russian Revolutionaries

Not everyone has much faith in art-activism, but you can’t please ‘em all. Do symbolic protests accomplish anything more than raising morale for the protesters? If not is it enough to simply raise morale? Or do actions like this War prank create temporary autonomous zones and manifest, albeit briefly, the type of reality the activists desire to live in? Maybe today’s protesters just don’t believe violent resistance is a viable strategy and it’s better to moon the oligarchy than throw bombs at their carriages. Maybe Laser Tag is the new moltov.

Also where were the parliment guards when this went down? You shoot a laser beam at Congress and it’s Guantanamo time here in the good ol’ USA. Nice to know there’s still some Dukes of Hazard style parity in Russia.


via: Exiled Online

Last weekend (Nov. 7 actually–ed), a Russian anarchist revolutionary art group called War pulled a fast one on Prime Minister Putin. Or at least they thought they did. Russian revolutionaries sure do fall far from the tree these days.

On the night of November 7, a group of them set up a laser on top of a building across the river from the Russian White House — that’s the place where the prime minister carries out daily his business — and projected a 150-ft. wide toxic green skull and bones on its facade. But the protest didn’t end there. While a laser was sweeping across the building, a half-dozen people were scaling the building’s 20-ft. front gate. But they revolutionaries didn’t linger, staying on hostile territory long enough to pose for a few photos and a quick Rocky victory jog up the stairs. They were in and out so fast, the cops didn’t have enought time arrive at the scene. Take that Vladimir Vladimirovich! (More pictures below.)


The stunt was meant to commemorate the anniversary of the Russian Revolution, with the laser beam symbolically standing in for the revolutionary signal shot fired from the Aurora cruiser. My first thought was, “Cool!” But then I thought, “Whoa! Are Russian revolutionaries going candy raver?” I mean, this was one of those non-violent and non-confrontational attempts at political change through art. Laser art, probably to techno. It really put Russia’s rich history of revolutionary violence to shame.

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