Category Archives: How To Win

How To Win is a CAA Research Project. We know using art and culture to transform the world is a good idea. But we are haunted by this question: How do we gauge the success of our projects? These posts explore this and related questions. Read more on How To Win.

“Living in Limbo” brings LGBT issues to the Civil Rights Institute in Birmingham, Alabama

Living in Limbo: A contemporary photography exhibit that honors the complexities of lesbian family life by revealing authentic moments.

Unfortunately the movement for LGBT rights doesn’t shift at the same pace around the country. Certain regions make strides forward – passing gay rights and marriage equality legislation – while others seem to be moving slowly or even backwards. Carolyn Sherer’s exhibit of portraits is helping push the movement forward in the deep south. Legal change and cultural change work hand in hand and the collection of photos (and the existence of the exhibition itself) affect norms in the culture along with the framing of “Civil Rights.” In effect by expanding the perceptions around LGBT rights in the south it is affecting cultural change.

Looking at the images, they are an achievement in presenting the “everyday-ness” of these families. They hold each other as all who love each other do. Their kids mug for the camera. They are beautiful and imperfect. They allow us to admire what could be presented as exceptional and “other,” and see it as rather ordinary and lovely.

For example, today when I was in the exhibit with Carolyn Sherer an older woman approached us after figuring out Carolyn was the photographer. Among other things she said, “I can just feel me heart opening up.”

As stated in the video above, many imagine civil rights to encompass The Civil Rights Movement of the 60′s. In fact it’s a center point for the multitude of battles for civil rights in the past, present, and future. The context of the exhibition – the Civil Rights Institute in Birmingham, Alabama – demonstrates through it’s presence that this too is a civil rights issue. Ironically, there have been complaints about the exhibition from those who simply aren’t ready to see portraits of lesbians, or believe that expanding our ideas of civil rights dilutes the history the movement in the 60′s surrounding African-Americans. But these fears are fighting the tide. Good art gives us new perspectives and challenges our old beliefs. In the battle for civil rights there’s room for everyone and by expanding the network, it becomes stronger.

More on the show at livinginlimbo.org

Carolyn is working on traveling the show, so if you can help her get in touch through her site.

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L.M. Bogad’s Economusic Performance

Here’s a short excerpt of (CAA West Coast Director) Larry Bogad’s new Economusic which he performed on March 30 in New York at the Austrian Cultural Forum. Contact Larry to bring it to your town!

 

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Dread Scott

 

“They denounced my work on the floor of the Senate as they passed the legislation. And President Bush publicly said he thought the work was disgraceful. So here I am 24 years old and the President of the United States knows I exist and doesn’t like what I’m doing, and I think, I must be doing something right, this is good!”

You may already know the work of Dread Scott. He first received national attention as a student in 1989 when his art became the center of controversy over its use of the American flag. President George H.W. Bush, declared What is the Proper Way to Display a U.S. Flag? “disgraceful” and the work was denounced by the US Senate. Since those inflammatory beginnings, Dread has gone on to show in venues like the Whitney Biennial, the Brooklyn Museum. His sculpture has been installed in Philadelphia’s Logan Square and the Franconia Sculpture Park in Minnesota, and his artwork is in the permanent collection of Whitney Museum of American Art, the New Museum of Contemporary Art,  and the Akron Art Museum. Dread is a revolutionary communist living in Brooklyn, NY.

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The Pigs vs. The Freaks

Will we see a Black Bloc vs. Riot Cops soccer match in 2012?

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George Saunders talks about large impacts on small audiences

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Joseph DeLappe

Joseph DeLappe, Dead in Iraq, 2007

“It may not effect change in the kind of physical sense that maybe we’ve been talking about, but I think if you can get inside someone’s head, and make the synapses shift for a second, then there’s something really valuable to that.”

Working with electronic and new media since 1983, Joseph DeLappe’s work in online gaming performance, electromechanical installation and real-time web-based video transmission have been shown throughout the United States and abroad.   In 2006 he created a project called dead-in-iraq, entering America’s Army First Person Shooter online recruiting game and typing in the names of all of America’s military casualties from the war in Iraq. He is an Associate Professor of the Department of Art at the University of Nevada where he runs the Digital Media area.

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