via: NYT

By SARAH LYALL

LONDON — Why didn’t anyone realize right away that there was something seriously weird about the new piece of art in Brussels?

The piece, an enormous mosaic installed in the European Council building over the weekend, was meant to symbolize the glory of a unified Europe by reflecting something special about each country in the European Union.

But wait. Here is Bulgaria, represented as a series of crude, hole-in-the-floor toilets. Here is the Netherlands, subsumed by floods, with only a few minarets peeping out from the water. Luxembourg is depicted as a tiny lump of gold marked by a “for sale” sign, while five Lithuanian soldiers are apparently urinating on Russia.

France? On strike.

The 172-square-foot, eight-ton installation, titled “Entropa,” consists of a sort of puzzle formed by the geographical shapes of European countries. It was proudly commissioned by the Czech Republic to mark the start of its six-month presidency of the European Union. But the Czechs made the mistake of hiring the artist David Cerny to put together the project.

Mr. Cerny is notorious for thumbing his nose at the establishment. He was arrested in 1991 for painting a tank, a Soviet war memorial in a Prague square, bright pink.

In the case of “Entropa,” Mr. Cerny presented the piece as the work of 27 artists, one from each country. But it was all a huge hoax.

After being challenged by reporters this week, Mr. Cerny admitted that he and two of his friends constructed the whole thing themselves, making up the names of artists, giving some of them Web sites and writing pretentious, absurd statements to go with their supposed contributions.

For example, next to the piece for Italy — depicted as a huge soccer field with little soccer players on it — it says, “It appears to be an autoerotic system of sensational spectacle with no climax in sight.”

The fake British entry, a kit of Europe in which the piece representing Britain has been taken out, says, “This improvement of exactness means that its individual selective sieve can cover the so-called objective sieve.”

Before the hoax was discovered, the Czech deputy prime minister, Alexandr Vondra, said “Entropa” — whose name alone should perhaps have been a sign that all was not as it seemed — epitomized the motto for the Czech presidency in Europe, “A Europe Without Borders.”

“Sculpture, and art more generally, can speak where words fail,” he said in a statement on Monday. “I am confident in Europe’s open mind and capacity to appreciate such a project.”

But he does not feel that way now.

“An agreement of the office of the government with the artist clearly stated that this would be the common work of artists from 27 E.U. states,” he said. “The full responsibility for violating this assignment and this promise lays with David Cerny.”

On its Web site, the Czech government said that it was “unpleasantly surprised” to learn the truth behind the mosaic.

The work has undoubtedly upset other people, too. The Germans are probably not too thrilled that their country is represented as a series of highways that, looked at a certain way, possibly bring to mind a swastika. Spain has to settle with being a huge construction site, while Romania is shown as a Dracula-themed amusement park.

According to the Czech News Agency, the Bulgarian government — the one whose country is shown as a bunch of toilets — summoned the Czech ambassador in Sofia to lodge an official protest. Meanwhile, the Bulgarian permanent representative to the European Union was quoted as saying: “It is preposterous, a disgrace. It is a humiliation for the Bulgarian nation and an offense to our national dignity.”

The Czechs have said that they are not sure what steps they will take before the official unveiling, scheduled for Thursday.

As for Mr. Cerny, on his Web site he said, “We knew the truth would come out.”

He added, “But before that we wanted to find out if Europe is able to laugh at itself.”

What started out as a spur of the moment prank is now developing into a more developed plot that could actually save the land from development instead of just delaying the sale. De Christopher also has some quotes from his interview with Amy Goodman that show while his action wasn’t premeditated, it was the result of a line of thinking very much in line with the ideas of “How to Win.”

via: Democracy Now
“I saw some protesters walking back and forth outside, and I knew that I wanted to do more than that and that this kind of injustice demanded a higher level of disruption. And so, I just decided that I wanted to go inside and cause a bigger disruption.

And from there, I found it really easy to get inside and become a bidder, and went inside and was in the auction room. And once I was in there, I realized that any kind of speech or disruption or something like that wasn’t going to be very effective, but I saw pretty quickly that I could have a pretty major impact on the way this worked. And it just took me a little bit of time to build up the courage to do that, knowing what the consequences would be. And so, I started bidding and started driving up the prices for some of the oil companies. And throughout that time, I knew that I could be doing more and could really set aside some acres to really be protected. And so, then I started winning bids and disrupting it as clearly as I could. ”

…

“I’ve seen the need for more serious action by the environmental movement and to protect a livable future for all of us. I’ve seen that need for a long time. And frankly, I’ve been hoping that someone would step up and someone would come out and be the leader and someone would put themselves on the line and make the sacrifices necessary to get us on a path to a more livable future. And I guess I just couldn’t wait any longer for that someone to come out there and had to accept the fact that that someone might be me.”

via: Salt Lake Tribune

The University of Utah student who foiled a federal oil and gas lease auction the Friday before Christmas hopes he can buy time for Utah’s scenic redrock desert – and himself – until the Bush administration is out the door.

Tim DeChristopher announced Wednesday afternoon that he would pay the U.S. Bureau of Land Management $45,000 to hold the 13 lease parcels he won in a Dec. 19 sale. His aim is to fend off drilling at least until President-elect Barack Obama takes office and new officials are in charge of the federal Interior Department and Bureau of Land Management.

“This would be the most effective way of ensuring we could protect the land, at least until the new administration came in,” DeChristopher said.

The 27-year-old economics major faces possible federal felony charges after winning bids totaling about $1.8 million on 13 lease parcels that he admitted he had neither the intention nor the money to pay for.

But since committing what he called an act of civil disobedience, DeChristopher has heard from hundreds of individuals around the country willing to chip in to keep drill rigs off the land and DeChristopher out of prison.

So far, would-be benefactors have pledged $14,000, he said.

DeChristopher, his lawyers and other advisers reckoned that if there were a specific reason for the fundraising, rather than just an ill-defined defense fund, enough money would roll in to allow him to write a $45,000 check to the BLM within the next couple of weeks.

Also where were the parliment guards when this went down? You shoot a laser beam at Congress and it’s Guantanamo time here in the good ol’ USA. Nice to know there’s still some Dukes of Hazard style parity in Russia.

via: Exiled Online

Last weekend (Nov. 7 actually–ed), a Russian anarchist revolutionary art group called War pulled a fast one on Prime Minister Putin. Or at least they thought they did. Russian revolutionaries sure do fall far from the tree these days.

On the night of November 7, a group of them set up a laser on top of a building across the river from the Russian White House — that’s the place where the prime minister carries out daily his business — and projected a 150-ft. wide toxic green skull and bones on its facade. But the protest didn’t end there. While a laser was sweeping across the building, a half-dozen people were scaling the building’s 20-ft. front gate. But they revolutionaries didn’t linger, staying on hostile territory long enough to pose for a few photos and a quick Rocky victory jog up the stairs. They were in and out so fast, the cops didn’t have enought time arrive at the scene. Take that Vladimir Vladimirovich! (More pictures below.)

The stunt was meant to commemorate the anniversary of the Russian Revolution, with the laser beam symbolically standing in for the revolutionary signal shot fired from the Aurora cruiser. My first thought was, “Cool!” But then I thought, “Whoa! Are Russian revolutionaries going candy raver?” I mean, this was one of those non-violent and non-confrontational attempts at political change through art. Laser art, probably to techno. It really put Russia’s rich history of revolutionary violence to shame.

via: Sinfest

The Democrats were able to snatch the mantle of newness from the neo-cons by running a candidate that the Republicans simply couldn’t. Nothing could be more unique, more new, and therefore more suited to the End of History word view than a black man with a very global-sounding name.

You can get this as a life size cardboard cutout

Thanks to You Tube and hip celebrity initiative, Obama was not just a presidential candidate, we was part of Will.i.am’s posse, he was sang about by hot chicks on the internet, and we was the subject of a super cool/patriotic (but not the old fuddy duddy patriotic, the new fashionable patriotic) Shepard Fairey poster. Obey. Vote Obama. Never before has a politician’s mug been emblazoned on more baby tees, baby bibs, and urban-chic stickers. You could be radical, fight the system, and be part of the greatest wave of youthful idealism to break on the shores of the US since the hippies. Without having to really do that much. Ah, and this is the challenge for people who want change beyond just a new member of the two-party establishment every 8 years.

He's even on skateboards

Real change requires people to alter how they live, not just what buttons they wear, and what levers they pull twice a decade. How to make people swoon over local produce, bike to work, and become tax resistors is an entirely more difficult proposition. But one that’s infinitely more important than which candidate to Obey Giant.

The Brand Called Obama

Life in the Post Political Age

Moving to the Center of Elite Consensus

Obey Giant Vote for Change
(embeddable videos of celebrity endorsements)

Mark Fiore is a political Flash cartoonist who cranks out a new short almost every week. He is clearly a liberal Democrat and his cartoons slant that way, but even when I find the ideas annoying or simplistic, or superficially critical, the cartoons are still funny. There are objectively funny moments (if such things can be said to exist) even in the most unoriginal Sarah Palin gag. Which is an accomplishment. I’ll watch anything that’s funny, and then once I’ve watched it even if I disagree with the ideas they’ll stay in my mind.

Check out “The Spies Who Love You” and “Ability.”

So to you Larry Flint, I say, “Thank you.” Thank you for being a cantankerous, lecherous, old perv who is not afraid (even after being shot!) to assert your Constitutional rights. I find the vast majority of your beliefs offensive, disgusting, immoral, and representative of the worst scum in the human soul, but I respect your tenacity in asserting those views in the face of vast opposition. We should all be so bold.

via: The Raw Story

Publisher Larry Flynt has announced that Hustler is releasing a porn film featuring a Sarah Palin lookalike and a tank full of stranded Russian soldiers.

Fox’s Megyn Kelly was immediately sure that “your average American — it’s offensive, it’s disgusting it’s dirty — they wouldn’t want to see it.” But her real question was, “Is this whole thing actually legal?”

In a consideration of that question on Monday, Kelly turned first to defense attorney David Wohl, who suggested that, although Palin would be best advised to ignore the film, she might “seek a preliminary injunction at least preventing its release before the election.”

Wohl acknowledged that the 1988 case of Hustler v. Jerry Falwell had established that celebrities have no rights to sue when it comes to parody, but he asserted that if the film could be viewed as “a political hit piece,” Palin might have “a good cause for action.”

“Might there be some actual confusion to the non-educated mind out there?” asked Kelly — who is apparently well-familiar with the Fox audience — of legal analyst Mercedes Colwin.

“That’s certainly a tremendous stretch,” Colwin replied. “There’s absolutely no confusion here. It is definitely parody like David said. It is protected by First Amendment.”

“It even pokes fun at our network,” Colwin continued. “It’s called ‘Faux News.’ And actually Bill O’Reilly stars in it as well.”

Wohl, however, wasn’t completely convinced by the first amendment argument, saying that the Hustler case involved a fake ad which was clearly over-the-top parody, while “this is a movie.” He went on to suggest, perhaps unfortunately, that “there’s going to be an undercurrent suggesting somehow that this is the way Sarah Palin lives her life, that there’s some deep dark secret she has.”

A partial script of the movie which has appeared online makes it clear that the film definitely has elements of political parody. In the opening scene, the actress playing Palin flings herself on a tanning-bed repairman, pronouncing, “You’re in luck. I fully support off-shore and on-shore drilling. … God almighty! You are hung like a moose. Now I have to eat ya! … Pound me until my head is so empty that I can’t even remember the name of the one Supreme Court case I actually know!”

“Whatever you think of Larry Flynt, the man knows his First Amendment,” Kelly concluded.

This video is from Fox America’s Newsroom, broadcast October 13, 2008.

Disaster Capitalism

It’s worth watching because first, a fourteen year old boy sneaking into a hotel room to ask his hero how young people can work for peace could serve as our model for artistic/political action. The kid was earnest, he had guts, and he got the most important issues out first. Second, anything John Lennon has to say about war, peace, or the structure of modern civilization is lucid and insightful. Finally, the animation portrays this merging of the actual and the possible. It helps the viewer understand the structures that control us and imagine alternatives. Lennon was a dreamer, and his clear understanding of how thoroughly corrupt the world is didn’t dissuade him from working towards irrationally idealistic goals. He mixed art and action and nonsense. This animation does that too.