Monthly Archives: January 2009

Futurism

from Apollonio, Umbro ed. Documents of 20th Century Art: Futurist Manifestos. Brain, Robert; RW Flint, JC Higgitt, and Caroline Tisdall, trans. New York: Viking Press, 1973. 19-24

The Founding Manifesto of Futurism – F.T. Marinetti

“‘Let’s go!’ I said, ‘Friends, away! Let’s go! Mythology and the Mystic Ideal are defeated at last. We’re about to see the Centaur’s birth and, soon after, the first flight of Angels! … We must shake at the gates of life, test the bolts and hinges. Lets go! Look there, on the earth, the very first dawn! There’s nothing to match the splendor of the sun’s red sword, slashing for the first time through our millennial gloom!”

“We intend to sing the love of danger, the habit of energy and fearlessness”

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There is no "win"

Ok, I am kinda lovin’ Jay Smooth right now.

Success means that we move further towards the ideals. Victories are only evidence that progress is possible, and that we are moving further towards those ideals.

So measuring success is acknowledging the victories along the way, and realizing there is no end.

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The power of the symbolic win (do-over)

apparently I added the wrong video the last time I tried to do this, so let me try again.

Mainly for Jay and Duncombe. I think at the core, one of the things he’s talking about, is if all that work getting Obama elected actually mattered…

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Michael Israel inspires change!

(check 1:30 in)

See, what happens is, you see this, and then you go home and you decide you’re going to do that thing that you’ve always wanted to. There is a direct line from him painting to you acting, he tells me.

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Art Hoax Unites Europe in Displeasure

This is a beautiful example of how activist-pranksters can exploit bureaucracy’s Achilles heel. The artist commissioned for this work, David Cerny “is notorious for thumbing his nose at the establishment,” says the article. I mean, just look at his website. The man once painted a tank, part of a a soviet war memorial in the center of Prague, hot pink. And yet, he was chosen to produce a dignified sculpture for the European Council building. This is like Steven Colbert getting invited to speak at the White House Press Corp Dinner. Who authorized this? Who overlooked these details? Everybody and nobody. Ah, and therein lies the game.

via: NYT

By SARAH LYALL

LONDON — Why didn’t anyone realize right away that there was something seriously weird about the new piece of art in Brussels?

The piece, an enormous mosaic installed in the European Council building over the weekend, was meant to symbolize the glory of a unified Europe by reflecting something special about each country in the European Union.

But wait. Here is Bulgaria, represented as a series of crude, hole-in-the-floor toilets. Here is the Netherlands, subsumed by floods, with only a few minarets peeping out from the water. Luxembourg is depicted as a tiny lump of gold marked by a “for sale” sign, while five Lithuanian soldiers are apparently urinating on Russia.

France? On strike.

The 172-square-foot, eight-ton installation, titled “Entropa,” consists of a sort of puzzle formed by the geographical shapes of European countries. It was proudly commissioned by the Czech Republic to mark the start of its six-month presidency of the European Union. But the Czechs made the mistake of hiring the artist David Cerny to put together the project.

Mr. Cerny is notorious for thumbing his nose at the establishment. He was arrested in 1991 for painting a tank, a Soviet war memorial in a Prague square, bright pink.
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"Oblique Strategies": Brian Eno and Peter Schmidt's "How to Win" card game

oblique_box
 
Brian Eno, the father of ambient music and Peter Schmidt, an English artist, created this deck of cards called Oblique Strategies in 1975. It is now in it’s fifth edition. Via Drawn!:

Oblique Strategies is a deck of cards created by Brian Eno and Peter Schmidt after thinking about approaches to their own work as artist and musician. Each card presents a question, dilemma, or new way of attacking the work you are doing as an artist. By drawing a card, you are given the chance to rethink your process.

Sample cards include:

  • Don’t avoid what is easy.
  • Humanize something that is free of error.
  • What do you do? Now, what do you do best?
  • Do the last thing first.
  • Use an unacceptable colour.
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Jacques Ranciere on political art

[A]n aesthetic politics always defines itself by a certain recasting of the distribution of the sensible, a reconfiguration of the given perceptual forms….The dream of a suitable political work of art is in fact the dream of disrupting the relationship between the visible, the sayable, and the thinkable without having to use the terms of a message as a vehicle. It is the dream of an art that would transmit meanings in the form of a rupture with the very logic of meaningful situations. As a matter of fact, political art cannot work in the simple form of a meaningful spectacle that would lead to an “awareness” of the state of the world. Suitable political art would ensure, at one and the same time, the production of a double effect: the readability of a political signification and a sensible or perceptual shock caused, conversely, by the uncanny, by that which resists signification.

From The Politics of Aesthetics, Gabriel Rockhill, trans., London: Continuum, 2004, p.63

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Utah Student Wrecks Federal Land Auction

This guy is great. He saw an opportunity and jumped on it, disrupting a corrupt auction, costing major corporations money, and drawing attention to an issue that easily could have been buried under the mountain of year-end top 10 lists and countless other examples of Bush Administration corruption.

What started out as a spur of the moment prank is now developing into a more developed plot that could actually save the land from development instead of just delaying the sale. De Christopher also has some quotes from his interview with Amy Goodman that show while his action wasn’t premeditated, it was the result of a line of thinking very much in line with the ideas of “How to Win.”

via: Democracy Now
I saw some protesters walking back and forth outside, and I knew that I wanted to do more than that and that this kind of injustice demanded a higher level of disruption. And so, I just decided that I wanted to go inside and cause a bigger disruption.

And from there, I found it really easy to get inside and become a bidder, and went inside and was in the auction room. And once I was in there, I realized that any kind of speech or disruption or something like that wasn’t going to be very effective, but I saw pretty quickly that I could have a pretty major impact on the way this worked. And it just took me a little bit of time to build up the courage to do that, knowing what the consequences would be. And so, I started bidding and started driving up the prices for some of the oil companies. And throughout that time, I knew that I could be doing more and could really set aside some acres to really be protected. And so, then I started winning bids and disrupting it as clearly as I could. ”
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