Monthly Archives: August 2008

I’m Rubber, You’re Glue …

by Jonathan Alter
Published Aug 23, 2008
From Newsweek magazine issue dated Sep 1, 2008

It’s hard to predict what will stick. ‘It’s the economy, stupid’ was a hand-scrawled sign hung in Little Rock.

When NEWSWEEK reported earlier this summer that the McCain family owns at least seven houses, few outside the hothouse of politics noticed. Voters assume that all politicians are rich and didn’t seem to care that John McCain’s wife, Cindy, is worth $100 million and owed back taxes on one of the properties. But when Politico asked McCain last week in New Mexico how many residences he and his wife owned and he answered, “I think—I’ll have my staff get [back] to you,” the story suddenly took off, fueled by the impression that McCain is old and out of touch with Americans struggling to pay their mortgages. Will it do his campaign real damage? Depends on the “stickiness.”

The same goes for Barack Obama’s acceptance speech in Denver. The buzz of 70,000 people screaming for him at Invesco Field will wear off if he doesn’t frame his economic message in a way that otherwise inattentive Americans can recall. Without an indelible metaphor, all of his policy speeches are written in invisible ink.

Modern campaigns are about flinging 10 things against the wall every day and hoping something sticks. Everything else, from fund-raising to advertising (paid for by the fund-raising) to speechmaking to Web strategy, is in the service of applying that adhesive, either to cement the candidate’s message or muck up the opponent’s engine with sludge.

That’s because memorable lines, images, gaffes and monikers act like a piece of gum on the bottom of your shoe. They get your attention and may even shape your voting behavior. In the world of marketing, “sticky branding” means intentionally creating an emotional attachment to a consumer product. In the blogosphere, a “meme” (a word coined by the science writer Richard Dawkins in 1976) is an idea that spreads virally, beyond anyone’s control. Political campaigns often try to add gobs of glue (as Obama did on the seven-house story), but why some stories stick and others don’t remains something of a mystery.

Pop-culture references help. Ronald Reagan used a Clint Eastwood line, “Go ahead, make my day,” to great effect. When Walter Mondale wanted to stigmatize Gary Hart for lacking substance in 1984, he quoted from an ad for Wendy’s: “Where’s the beef?” The political spot that made the biggest splash this summer aired only briefly on TV. But the use of Britney Spears and Paris Hilton helped McCain label Obama as just another celebrity. If big names cut through the clutter, so does name-calling. GOP hit men like to refer to “Barack Hussein Obama,” the better to brand him as a foreigner. And Democratic polemicists are already referring to “Exxon John” and “another four years of John McSame.”
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Ogilvy: "speak their language"

“If you’re trying to persuade people into do something, or buy something, it seems to me you should use their language, the language they use every day, the language in which they think.” – David Ogilvy

via The Hidden Persuader

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GRL's James Powderly detained in Beijing for planning pro-Tibet

“James is a unique voice in the world, who lives and breathes art and technology for the purpose of promoting and enabling freedom of expression for all,” said Nathan Dorjee, Director of Technology for Students for a Free Tibet. “His trip to Beijing, in support of the Tibetan people and all people around the world whose voices have been silenced by their governments, is a small piece of his portfolio as an artist who won’t back down in the face of authority.” The work, “The Green Chinese Lantern,” uses a 400 milliwatt handheld green laser with micro-stencils to beam simple messages and images up to three stories high on surfaces such as billboards, buildings, and bridges. The Laser Stencil technology was developed in conjunction with Students for a Free Tibet.
GRL’s James Powderly detained in Beijing for planning pro-Tibet “L.A.S.E.R. Stencil” art protest – Boing Boing

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The State: Free Market Store

For those not fortunate enough to remember watching The State, it was a brilliant comedy show often surreal or scatalogicaly political. This skit rolls with a black comedy to match the best Monty Python, and gets the viewer with a brujtally funny depiction of Eastern Europe after the Iron Curtain fell. No doubt, the Soviet Union had some major problems, but it also gave people some options they lost when the free market bomb went off. This skit is like Disaster Capitalism distiled to a rueful, cynical chuckle.

Disaster Capitalism

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Tropic Thunder – comedy is anarchy

…in comedy, context is everything. “Tropic Thunder”… doesn’t risk simply offending; at times the picture is almost appalling in its tastelessness — I watched parts of it agape. But Stiller and his ensemble… understand that comedy is anarchy. As much as we want our lives to be stable and manageable, comedy demands that we relinquish our sense of orderliness, sometimes even our better judgment. Respectful comedy is dull comedy. In the early ’90s, when Robert Mapplethorpe’s sexually explicit photographs were causing a flap about the public funding of art, I recall seeing people wearing buttons decreeing, “Art can’t hurt you.” But if it can’t cut into you, deeply or at all, what good is it?

from Salon review of Tropic Thunder.

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I met the Walrus

In 1970, a fourteen year old boy named Jerry Levitan snuck into John Lennon and Yoko Ono’s Montreal room during their “peace in.” The following animated short, I Met the Walrus, is based on a recording of their conversations. It was nominated for an Oscar for “best animated short” at the 2008 Academy Awards, and won “Best Animated” at the Manhattan Short Film Festival.

It’s worth watching because first, a fourteen year old boy sneaking into a hotel room to ask his hero how young people can work for peace could serve as our model for artistic/political action. The kid was earnest, he had guts, and he got the most important issues out first. Second, anything John Lennon has to say about war, peace, or the structure of modern civilization is lucid and insightful. Finally, the animation portrays this merging of the actual and the possible. It helps the viewer understand the structures that control us and imagine alternatives. Lennon was a dreamer, and his clear understanding of how thoroughly corrupt the world is didn’t dissuade him from working towards irrationally idealistic goals. He mixed art and action and nonsense. This animation does that too.

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Natalie Jeremijenko


YouTube – Interview: Feedback Artist, Natalie Jeremijenko

Also in the NYT today:

“People are frustrated by their inability to cope with environmental problems in their apartments and their neighborhoods,” said George Thurston, a professor of environmental medicine at New York University School of Medicine. Dr. Jeremijenko, he continued, “provides a service that’s needed, educating people about what they’re up against and showing them that they can do something themselves while waiting for larger societal solutions.”

Dr. Jeremijenko has worked with scores of individuals and community groups since starting the clinic last fall. “I call them impatients,” she said — meaning that they don’t want to wait for legislative action.

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Get Your War On: Terrorist Watch List

This is a new video from 23/6.com a political-ish comedy site. The video is about a serious issue, but treats it in a comical-ish way. Which is a fine strategy if done well, but I there’s just not quite enough substance here. All you really get from the video is that there’s a terrorist watch list with a million names, and that means regular people are on it for no good reason. The video has a nice wind-up, but no delivery, no real punch line. I think at the end the viewer should have gotten some insight into the implications of having a million people on the watch list. Comedy can help people understand tragedy (see L.M. Bogad interview for more) and motivate them to act, but there has to be some meaningful information inside the joke. There has to be some “ah-ha” behind the gag.

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Kurt Vonnegut Interview Mashup

I read Timequake (one of Vonnegut’s last books) recently and was surprised to see how often it related to the How to Win project. The novel isn’t about any one theme, but ideas of art and affecting change are woven throughout. Vonnegut seems to be reflecting on how his literature has connected with his politics.

In the novel, a timequake resets the universe 10 years, and humanity goes on autopilot, passively experiencing exactly what they had done the prior decade. When the timequake ends, no one realizes they have free will again, and in the initial moments the world becomes a violent orgy of bus crashes, explosions, and fire. Eighty-something-year-old, homeless writer Kilgore Trout–Vonnegut’s alter ego– is the only one who realizes what’s happened and begins running around trying to wake up everyone. Rather than try to explain that they have free will again, Trout exclaims, “You were sick, but now you’re well, and there’s work to do.” This white lie works, and the meme spreads, eventually helping everyone regain consciousness. Trout undertakes this mission, though, not as some bold hero, but because he is too old to do anything daring himself, and so needs others to put out the fires he is incapable of stopping.

The story, I think, is Vonnegut explaining his own work. Ever since Slaughterhouse 5 he was a hero of peace movements, and a symbol of Humanism. He was deified by some, or at least revered as a prophet. With this novel, I think he was explaining that he wasn’t a hero or a savior, just a man who saw a world engulfed in craziness, had a talent for writing, and so used it to try and awaken humanity’s consciousness. He loved art and respected the artist’s power to awaken and inspire, but he also understood that mail clerks, carpenters, chemists had just as much to offer the world.

With all this in mind, I assembled a handful of relevant quotes from Timequake, and a mash up of Vonnegut interviews addressing, art, politics, and living humanely.
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